Showing posts with label film. Show all posts
Showing posts with label film. Show all posts

Thursday, October 26, 2017

Cult Film

Pythons In Armour. Photographer. Britannica ImageQuest, Encyclopædia Britannica, 25 May 2016.
quest.eb.com/search/115_2736202/1/115_2736202/cite. Accessed 21 Oct 2017.
Though many drive-ins have been shut down, and the practice of screening midnight movies in theaters has waned considerably from its heyday in the early 1970s, the thrill of sharing boundary-testing films in the dark can now be enjoyed just as well while curled up on the couch—no accompanying cult required... These films stubbornly refuse to be marginalized, lower budgets and lack of Hollywood gloss be damned.
~Themes: Cult Movies, from the Criterion Collection website 

The term “cult classic” gets thrown around a lot these days, usually to describe anything that wasn’t widely seen but has some vocal fans. There should be another word for that, because “cult” implies a whole other level of devotion. This list is about movies that inspire very unusual outpourings of support. Let’s put the “cult” back into “cult following.”
~Andy Hunsaker, "15 Movies With Crazy Cult Followings"

How do you define cult film? The two quotes above, the latter taken from the IFC website, seem to have a subtly different take on that question. Is a cult film just a B-movie or a midnight movie? Or is it something that has grabbed hold of at least certain moviegoers' imagination and become part of the culture of moviegoing, like The Rocky Horror Picture Show?

Criterion defines cult films from their own collection as Crumb, Eating Raoul, F for Fake, Fantastic Planet, Fear and Loathing in Las Vegas, Eyes Without a Face, Harold & Maude, House, Koyaanisqatsi, Kiss Me Deadly, Man Bites Dog, The Man Who Fell to Earth, Monty Python's Life of Brian, Repo Man, and Slacker. The IFC article, which, granted, is just the opinion of a single author, is more inclined towards Star Wars, The Big Lebowski, Evil Dead, Repo: The Genetic Opera, Clerks, Fight Club, Labyrinth, Star Trek, Serenity, and Showgirls. (Both lists do include David Lynch.)

Rolling Stone is more closely aligned with Criterion's definiton, but allows a little lee-way - "There's no single way to recognize a cult movie other than the simple fact that it's developed a fiercely devoted audience that watches it over and over, preferably at midnight in a theater packed with other die-hards." The website i09 also recognizes that you can debate cult status,  but we like their definition best: "A great cult movie is like a weird underground discovery, that feels so strange and wonderful, you suspect that you're the first person ever to appreciate it properly. But certain cult films have acquired fame and influence to rival any blockbuster, and have become part of our shared vocabulary."

How do you define cult film? Do you lean more towards a blockbuster big enough to warrant its own convention, or something more arty and obscure, perhaps involving audience participation at a late-night showing? Regardless of definition, many films, both popular and niche, have made their mark on our cinematic landscape. Our list of cult films, below, leans a bit more towards the midnight movie definition of cult, but we've thrown some more popular titles into the mix. Hope you find something that strikes your fancy!










Thursday, October 5, 2017

Budget Cinema: Some Incidents in the History of B Movies


CREATURE FROM THE BLACK LAGOON (1954) - ADAMS, JULIE. Photography. Britannica ImageQuest, Encyclopædia Britannica, 25 May 2016.
quest.eb.com/search/144_1533771/1/144_1533771/cite. Accessed 13 Sep 2017.
B movies had their heyday during Hollywood's Golden Age (late 1920s-early 1960s). During the Great Depression, studios and movie theaters tried to entice moviegoers into the theater with a bill that could last more than 3 hours, with two features, cartoons, a newsreel, and previews of forthcoming films. The main attraction would be the A film, with the B feature being a lower budget genre film (often sci-fi, Western, or film noir) that was quickly produced, frequently using talent that was either waning or on the rise. The big studios had separate B-units to produce these films. These early B films were tied to the Big Five studio system - before 1948, major studios had their own theater chains, and there was a complicated booking system for A and B features.

In the 1950s, feature films got longer - 70 minutes or more, rather than an hour - and the double feature fell out of favor. B movie became a blanket term used for genre films with formulaic plots and cheap production values. These films helped create the drive-in cinema business, which skyrocketed between 1945-55, and launched the career of one of the most famous names in the history of B movies, Roger Corman, and another big name in B, William Castle, who specialized in gimmicks. "For The Tingler, which starred Vincent Price, the theater seats were wired with buzzers, which would make the seats vibrate when the tingler supposedly escaped into the theater," the website B-Movie Central reports.

In the 60s and 70s, B movies came to include exploitation films, as the film industry's adherence to the Motion Picture Production Code relaxed and finally ended in 1968. Major studios were no longer making B films, and these exploitation films - which often "graphically depicted the wages of sin in the context of promoting prudent lifestyle choices" - ultimately became the whole market, ranging from "sexploitation" to "blaxploitation" films, except for the rise of  kung fu (sometimes called "Brucesploitation") and "slasher" films in the 1970s. Some famous names came out this era - John Waters, Melvin Van Peebles, Brian de Palma, Russ Meyer, George A. Romero, Tobe Hooper, Francis Ford Coppola - with some later achieving mainstream fame and others becoming cult classics. Easy Rider, with its themes of hippies, drug use, and communal living, became the first movie under the exploitation umbrella to debut at the Cannes Film Festival. The Rocky Horror Picture Show is a spoof of B movie tropes.

As cinema moved into the 1980s, the era of the star-studded blockbuster began. There was still a lot of low-budget horror films being made, and Troma Pictures, which got its start in 1974, was still "disrupting media." But there were more independent films being made in the last years of the 20th century, and it's important to remember that an independent or arthouse film is not the same as a B movie.

It has been suggested that recent  technological advances have made it easy to make low-budget motion pictures again, and digital cameras allow any filmmaker to make films with reasonably good image quality and effects. Is the B-movie ready to make a comeback? Well,  The Guardian suggests:

So here’s a suggestion: a two-tier cinema system. Your blockbusters in one league, and a separate circuit for lower-budget movies, with much cheaper tickets. For a long time, this was how movies operated... Now it’s serious dramas that are the B-movies, pushed to the margins along with what we used to call 'arthouse' movies: challenging, non-mainstream, maybe foreign movies. These are cinema’s endangered species. So why not put them all in a separate type of cinema and charge half the price? It would be a cheaper night out for punters and a proving ground for new talent.

Or, do you agree with Wired that "In 2017, 'genre' is no longer a niche, and nearly *every *movie feels like a midnight movie—albeit the kind you no longer need need to stay up all evening to enjoy." Whatever your take on the subject, why not take a little time to delve deeper into B movies of the past? The library catalog is here to help, with some likely contenders listed below:


Hail to the Chin: Further Confessions of a B Movie Actor by Bruce Campbell with Craig Sanborn

Death on the Cheap: The Lost B Movies of Film Noir by Arthur Lyons

Opening Wednesday at a Theater or Drive-In Near You: The Shadow Cinema of the American '70s by Charles Taylor

The Disaster Artist: My Life Inside The Room, The Greatest Bad Movie Ever Made by Greg Sestero, Tom Bissell [eAudiobook]

Foxy: A Life in Three Acts by Pam Grier with Andrea Cagan

DVDs

The House on Haunted Hill

The Return of the Living Dead

Barbarella

The Blob

John Dies At the End

Evil Dead

They Live

Machete

Creature from the Black Lagoon

Brother From Another Planet

Tremors

Forbidden Planet

Schlock: Secret History of American Movies

American Grindhouse

Corman's World: Exploits of a Hollywood Rebel

The Ed Wood Awards: The Worst Horror Films of All Time


Links

The 100 Best "B Movies" of All Time [Slate]

15 Awesome B-Movies You Need To See [Screen Rant]

Attack of the B Movies! 50 of the Best Schlocky Titles of All Time [Hollywood Reporter]

Tuesday, September 19, 2017

Literary Links: In the Realms of Fiction

Sign For A Star Trek Science Fiction Landmark; Vulcan, Alberta, Canada. Photograph. Britannica ImageQuest, Encyclopædia Britannica, 25 May 2016.
quest.eb.com/search/312_677773/1/312_677773/cite. Accessed 24 Aug 2017.
We just finished watching Game of Thrones and were arguing over which of the Seven Kingdoms we'd like to represent. (The correct answer is THE NORTH.) This got us talking about other fictional lands and peoples - is it better to be a hobbit, elf, or dwarf? What's your Hogwarts house? Star Trek or Star Wars? Who's your favorite character in Firefly? If you'd like to geek out with us, check out some of these links which discuss cool fictional realms, imagined travel, and worldbuilding.

14 Incredible Fictional Worlds You'd Most Want to Visit [HuffPost]

12 Best Fantasy Worlds Ever Created [Screen Rant]

5 of the Weirdest Fantasy Worlds Ever Created [B&N Sci Fi & Fantasy Blog]

Top 10 fantasy fiction universes [Guardian]

5 Crazy Creative Science Fiction Worlds in Books [Bustle]

19 Gorgeous Retro Travel Posters to Fantasy Destinations [Buzzfeed]

7 Deadly Sins of Worldbuilding [iO9]

How to Build a Fictional World - Kate Messner [TED Talk]

Editor Picks: Top 10 Must-"Visit" Fictional Lands [Encyclopaedia Britannica]

7 Fictional Lands We'd Love to Visit [Mashable]

The 50 Coolest Fictional Cities [Complex]

7 Fictional Lands That Should Have Google Maps [Buzzfeed]

In the library catalog, check under the subject "Literary landmarks."

Thursday, August 24, 2017

Books, Beverages, and Bites



Cup of coffee on book. Photo. Britannica ImageQuest, Encyclopædia Britannica, 25 May 2016.
quest.eb.com/search/105_264745/1/105_264745/cite. Accessed 8 Jul 2017.

Seems like almost everyone can relate to the cozy feeling of curling up with a good book and a delicious drink. Whether it be coffee, tea, or something a bit stronger, there's really nothing better than sipping while you read. That's why I was jazzed when I came across Tequila Mockingbird: Cocktails with a Literary Twist by Tim Federle -- a recipe book that shares my love of cocktails, mocktails, and even snacks while simultaneously pairing them with some fantastic reads. As an added bonus, the drinks and treats are named with fantastic puns. Prepping for a book club would be especially convenient with many popular titles and hilarious drink name combinations like One Flew Over the Cosmo's Nest (p. 15) and Fahrenheit 151 (p. 97).

And if you happen to enjoy a good movie as well, you'll be pleased to know that Federle has that covered, too. Gone With The Gin: Cocktails with a Hollywood Twist is his follow-up recipe book which adds the same delicious twist of pairing beverages and foods with popular and classic movies. 

Whether you're hosting a book club, movie night, or just gearing up to enjoy some alone time, there's something for everyone. It's not just Tim Federle, either. I've found a few other entertainment and literary recipe books through my curiosity and hope you get as much enjoyment from them as I have!

Movie Night Menus: Dinner and Drink Recipes Inspired by Films We Love by Tenaya Darlington

To Have And Have Another: A Hemingway Cocktail Companion by Phillip Greene

Cocktails for Book Lovers by Tessa Smith-McGovern

Thursday, April 20, 2017

Movie Remakes: Stephen King Edition



Movie studios love to remake movies. Whether it's a live action version of a Disney movie or a reboot of a horror film, there are plenty of remakes to choose from. Today, I'm focusing Stephen King movies.



Stephen King was so disappointed in Stanley Kubrick's version of The Shining that he remade the movie himself. The remake follows the novel much more closely than Kubrick's version. One of my colleagues and I agree that Kubrick's version is better. As my colleague mentioned, Stephen King's version is instantly forgettable.



Carrie has been remade twice since the original movie came out in 1976. One of the remakes was for TV. TV movie aside, the 2014 remake was a disappointment, mainly because the ending was changed and doesn't follow the book, or the original movie, at all. It's also hard for anyone to fill Sissy Spacek's and Laurie Piper's shoes in the roles of Carrie and Margaret White.

I never watched the entire TV version of Carrie, but I know the ending was changed, too, and for that reason alone, I was disappointed in that remake.



I've only seen bits and pieces of the Children of the Corn remake, so I can't say which version I prefer. I'm not a huge fan of gore, though, so I suspect that I would like the original movie better than the remake.



The latest Stephen King remake won't be out until September. I imagine it will be hard for anyone to play Pennywise as well as Tim Curry did. So far, it seems like the remake might deviate from the original IT, and maybe also from the book, if photos from the film are any indication. I hope the remake will be good, but I'm trying not to set my expectations too high.


What are your thoughts about Stephen King movie remakes? Let us know in the comments!

Saturday, April 8, 2017

Movie Remakes: Horror Edition


Movie studios love to remake movies. Whether it's a live action version of a Disney movie or a reboot of a horror film, there are plenty of remakes to choose from. Today, I'm focusing on horror movie remakes. I'm excluding Stephen King movies, which will get their own post later.












Out of all these movies, the only ones I've seen are the original Halloween and the remake. I prefer the original, though I enjoyed the remake, too.

Have you seen any of these movies? If so, which ones did you like best? Let us know in the comments!

Thursday, February 16, 2017

The World According To Werner Herzog

RESCUE DAWN (2006) - HERZOG, WERNER. Photography. Britannica ImageQuest, Encyclopædia Britannica, 25 May 2016.
quest.eb.com/search/144_1492018/1/144_1492018/cite. Accessed 7 Jan 2017.
Always take the initiative. There is nothing wrong with spending a night in a jail cell if it means getting the shot you need. Send out all your dogs and one might return with prey. Never wallow in your troubles; despair must be kept private and brief. Learn to live with your mistakes. Expand your knowledge and understanding of music and literature, old and modern. Thar roll of unexposed celluloid you have in your hand might be the last in existence, so do something impressive with it. There is never an excuse not to finish a film. Carry bolt cutters everywhere. Thwart institutional cowardice. Ask for forgiveness, not permission. Take your fate into your own hands. Learn to read the inner essence of a landscape. Ignite the fire within and explore unknown territory. Walk straight ahead, never detour. Manoeuvre and mislead, but always deliver. Don't be fearful of rejection. Develop your own voice. Day one is the point of no return. A badge of honour is to fail a film theory class. Chance is the lifeblood of cinema. Guerilla tactics are best. Take revenge if need be. Get used to the bear behind you.
~Werner Herzog

The German filmmaker (producer, director, author, actor) Werner Herzog was born Werner Herzog Stipetić in Bavaria - took the last name of his father for his working name, though his father abandoned the family, because he thought Herzog sounded "better" for a filmmaker. He is considered one of the most important directors of the New German Cinema (other contenders include Wim Wenders and Rainer Werner Fassbinder), but he "didn’t know that cinema existed until [he] was 11." He has made both feature films and documentary films during his long career, but since 1995 he has mainly concentrated on documentaries. He narrates many of his documentaries, and his distinctive voice has also featured in episodes of The Simpsons and Adult Swim's Metalocalypse. He has been called "one of the most diverse, uncompromising and staggeringly prolific filmmakers on the planet," with IMDb listing 68 directing credits, 55 writing credits, and more in acting and producing to his name.

But who better to tell you about Werner Herzog than Herzog himself? Here are some of the internet's favorite Herzog quotes (called by some "wonderfully bonkers"):

Film...is not the art of scholars but of illiterates.

My ideas are like uninvited guests. They don’t knock on the door; they climb in through the windows like burglars who show up in the middle of the night and make a racket in the kitchen as they raid the fridge.

I work very fast and steadily, and I don’t hardly ever notice that I’m working. It feels like just breathing or walking when I do films.

I never have searched for a subject. They always just come along. They never come by way of decision-making. They just haunt me. I can’t get rid of them. I did not invite them.

About his friendship with Klaus Kinski: “People think we had a love-hate relationship. Well, I did not love him, nor did I hate him. We had mutual respect for each other, even as we both planned each other’s murder.”

When I saw the dancing chicken, I knew I would create a grand metaphor - for what, I don't know.

Perhaps I seek certain utopian things, space for human honour and respect, landscapes not yet offended, planets that do not exist yet, dreamed landscapes. Very few people seek these images today.   

Do you not then hear this horrible scream all around you that people usually call silence?

In the face of the obscene, explicit malice of the jungle, which lacks only dinosaurs as punctuation, I feel like a half-finished, poorly expressed sentence in a cheap novel. 

I’m quite convinced that cooking is the only alternative to film making. Maybe there’s also another alternative; that’s walking on foot.

If you want more Wernerisms, consider checking out the funny Tumblr Werner Herzog Inspirationals. Or, check out something by Werner Herzog from your friendly library catalog - here's a sampling of your options: 

Books

Werner Herzog: A Guide For the Perplexed - Conversations With Paul Cronin

Of Walking In Ice : Munich-Paris, 23 November-14 December 1974



Film 

Grizzly Man

Happy People: A Year in the Taiga

Cave of Forgotten Dreams

Into the Abyss

Encounters at the End of the World

My Best Fiend

Tuesday, January 31, 2017

Remembrance of Literary Hoaxes Past


London Lesbian & Gay Film Festival - Foyles Bookstore, Charing Cross Road. [Photography]. Retrieved from Encyclopædia Britannica ImageQuest. 



The documentary, Author: The JT Leroy Story, written, directed and produced by Jeff Feuerzeig, revisits a decade-long literary hoax perpetrated by writer Laura Albert. Albert, who has avoided the media, is the focus of the documentary, giving her a generous opportunity to share the story of her life and the evolution of her literary avatar: Jeremiah Terminator (J.T.) Leroy.

J.T. Leroy was a blond, blue-eyed, transsexual hustler HIV-positive boy, who was addicted to heroin and hailed from West Virginia. He was the son of an abusive teenage mother who worked as a truck stop prostitute or "lot lizard". J.T. Leroy embarked on a Kerouac-ian On the Road odyssey with his monstrous mother, only to be abandoned in San Francisco among the other discarded gay, lesbian, bisexual, and transgendered (GLBTQ) runaways with substance abuse problems who relied on prostitution and homeless shelters to survive.

J.T. first surfaced through a suicide hotline in the 1990's. He was treated by psychologist Dr. Terrence Owens through phone calls, but never in person. Dr. Owens encouraged his transient patient to write his life story in order to heal from abuse and trauma. J.T. claimed that because he wanted to write more than he wanted heroin, he was able to kick his addiction. Despite a complete lack of education, J.T. produced novels in the Southern Gothic tradition that were lyrically entrancing and violently salacious. J.T. reached out to his literary heroes: Sharon Olds, Mary Karr, Brucer Benderson, Joel Rose, Laurie Stone, and  Dennis Cooper. Publishers were eager to give him book deals and publicity that most writers spend lifetimes to acquire. Hollywood followed suit with movie offers.  J.T. Leroy's novels The Heart Is Deceitful Above All Things, Sarah and Harold's End became bestsellers that were translated into over twenty languages.

Celebrities adored J.T. and agreed to read his books at readings since he was too emotionally fragile and would only rarely appear in public concealed behind Andy Warholian wigs, massive sunglasses, and elaborate costumes. J.T. spoke in feminine whispers with an unconvincing Southern accent. His lack of Adam's apple was explained by his being a preoperative transsexual on massive amounts of hormones whose growth was stunted by horrific abuse. J.T. was always accompanied by his grating British publicist Speedy and her musician husband Astor, his adoptive family who had formed a band they called Thistle, which opened every reading event.

Leroy branched out into publishing articles and posing for fashionable magazines. His imminent death due to HIV was no longer spoken of, and inconsistencies regarding his upcoming gender reassignment surgery also baffled supporters. Writers and journalists connected to the San Francisco arts and the literary community began to compare notes and tallied their doubts and concerns. Journalist and writer Stephen Beachy wrote an outstanding article for New York Magazine that dared to ask the question, Who Is J.T. Leroy?

New York Times journalist Warren St. John was also following his own leads and produced an article:  The Unmasking of J.T. Leroy: In Public, He's a She. J.T. Leroy was revealed to be Laura Albert's partner musician Geoffrey Knoop's half-sister Savannah Knoop, an aspiring clothing designer. Laura Albert never apologized to anyone then, and continues to not acknowledge that she harmed or deceived anyone. Albert insists that her avatar J.T. Leroy merely surfaced and did everything for her creatively, that she was unable to do for herself.

Laura Albert's confessions in Author reveal her insecurities and mental illness which was compounded by an abusive childhood and time spent in a group home, where she developed a habit of calling crisis hotlines. Albert attended the New School in New York, but was discouraged by her professor to write in a male voice. Albert's education was disrupted by another nervous breakdown and she abandoned writing. For several years, she worked as a phone sex operator, had a child with her partner Geoff Knoop, and underwent a gastric bypass surgery after a lifetime of compulsive overeating left her at 325 pounds.

Albert denies that she has multiple personality disorder, but the emergence of J.T. Leroy produced what Albert called a "psychic limb" that propelled her back into the literary world and fulfilled her wish to be a blond, blue-eyed boy that gay men would desire and love. Albert's protestations that she was merely using a pen name ring false, especially since J.T. Leroy and his entourage traveled the world and signed lucrative contracts under false pretenses, sheltered by a fake corporation put in Laura Albert's mother's name. Albert was sued by a movie company for $350,000.The chaos left in Albert's wake prompted debates over the literary merits of her novels.  Whether Albert would have been published without her avatar J.T. Leroy, who titillated the publishing industry and tugged at the heart strings of his supporter and readers is doubtful.

Author is a fascinating documentary that also gives the viewers moments of schadenfreude in witnessing self-indulgent celebrities gush over an imposter, especially through the phone calls Albert illegally taped, including Courtney Love, Gus Van Sant,, and Asia Argento.  Author is one-sided and fails to account for the emotional devastation experienced by ordinary people who considered themselves to be friends of J.T. Leroy. Many friends were subjected to Laura Albert's terrifying dissociative episodes and suicide threats and found themselves emotionally drained by the experience. The Cult of J.T. Leroy by Marjorie Strum tells their stories much more sympathetically.  I made a staff suggestion for the library to acquire Strum's superior documentary, which includes the deposition of Dr. Terrance Owens, who appears to be the most compassionate and thoughtful psychologist on the planet. Dr. Owens is still working with homeless runaways and Laura Albert continues to be his patient, even after her fraud came to light. 

An interview with Ira Silverberg, Leroy's former agent discussed the predatory cultural appropriation of a straight, middle-class woman impersonating a HIV positive, marginalized transsexual during a period in the 1990's when a generation of gay artists and writers perished. Albert's hoax preyed on a community that was receptive to helping anyone struggling with AIDS, especially since sufferers were frequently abandoned by their families and the disease at that time was in and of itself, an automatic death sentence, before the advent of the AIDS cocktail and scientific breakthroughs that increased the chances of survival.

One of the fatal flaws in Albert's scheme was having J.T. Leroy be HIV positive. Albert was lazy when she decided to use the blueprint of another woman named  Joanne Victoria Fraginals, a middle-aged woman who claimed to be a social worker who had saved and adopted a young AIDS-stricken, sexually abused boy named Anthony Godby Johnson, who had escaped a ravenous pedophile ring lead by his parents in New York City. The fourteen-year-old "Tony" released a treacly memoir entitled "Between a Rock and a Hard Place" that went through six printings and had a forward by poet, AIDS activist, and author Paul Monette and an afterward by the beloved Mister Fred Rogers. In the midst of this hoax, acclaimed novelist Armistead Maupin, who is famous for his Tales of the City series,  was befriended by Tony over the phone. However, no one had ever met Tony in person. Newsweek journalist Michele Ingrassia started to ask simple questions about Tony and also attempted to locate Tony's felonious parents, but the district attorney had no record of ever trying such a notorious case. The pathetic hoax quickly collapsed despite Fraginals strenuous efforts to keep the hoax going and Armistead Maupin channeled his experience into his extraordinary novel The Night Listener which was turned into a less than spectacular movie, but one that delivers on the hair-raising creepy suspense of dealing with the unraveling of a fraud's mental and imaginary construct.

Literary frauds are nothing new, but in the course of visiting Laura Albert's world, I learned about other icky phenomenon's, like misery lit and grief porn, which even a connoisseur of true crime books, documentaries, and TV shows (like myself) find distasteful. Perhaps we could go outside and get some fresh air and find healthier ways to cope with our dark sides, or you could check out some of the following books and movies. 


The Oxford Book of Parodies edited by John Gross 

Catfish [DVD]

Fraud [eBook] : essays by David Rakoff

The Family Romance of the Impostor-Poet Thomas Chatterton by Louise J. Kaplan 

Geronimo's Bones: A Memoir of My Brother and Me by Nasdijj. 

The Man In the Rockefeller Suit: The Astonishing Rise and Spectacular Fall of a Serial Imposter by Mark Seal

The Hoax by Clifford Irving  

Three Cups of Deceit: How Greg Mortenson, Humanitarian Hero, Lost His Way by Jon Krakauer 

A Million Little Pieces [eBook] by James Frey


 

Thursday, January 26, 2017

New & Novel: Fashion & Style

We sat down to write about fashion, and two songs immediately started running through our heads - "Fashion" by the late, great David Bowie, and "Supermodel (You Better Work)" by reality show star RuPaul. But there's more to style than working the catwalk! We've assembled a list of books that focus on a variety of aspects of fashion and style, from memoirs and biographies to fashion history, from costume design to street style, from the little black dress to the human and environmental costs of the fashion industry, from Paris to the Republic of the Congo, famous designers and beyond.


Wear and Tear: The Threads of My Life by Tracy Tynan

Focus: The Secret, Sexy, Sometimes Sordid World of Fashion Photographers by Michael Gross

Dressing the Decades: Twentieth-Century Vintage Style by Emmanuelle Dirix

Entanglement: The Secret Lives of Hair by Emma Tarlo

In the Name of Gucci: A Memoir by Patricia Gucci ; with Wendy Holden

American Dreamer: My Life in Fashion & Business by Tommy Hilfiger with Peter Knobler 

Denim: Fashion's Frontier by Emma McClendon 

9 1/2 Narrow: My Life in Shoes by Patricia Morrisroe

Love x Style x Life by Garance Doré

The Sartorialist: X by Scott Schuman