Showing posts with label suspense. Show all posts
Showing posts with label suspense. Show all posts

Thursday, September 14, 2017

Unstable States: Reading Psychological Suspense

SUSPENSE (1946). Photography. Britannica ImageQuest, Encyclopædia Britannica, 25 May 2016.
quest.eb.com/search/144_1533468/1/144_1533468/cite. Accessed 4 Aug 2017.
A tale that is more interested in the “why” rather than the sheer mechanics of “how”—and that is more attuned to what makes a soul damaged potentially beyond repair—falls under the large umbrella of psychological suspense. Crime can be at the forefront, but the chase for the criminal is often hamstrung by mental intricacies of the case, its perpetrator, and, often most prominently, its would-be solver. A murder is usually the inciting event, the big rock that hits the water, but in psychological suspense, when it’s done right, the focus is on the ripples that rock makes. Psychological suspense is a genre within crime fiction that can, and does, encompass myriad subgenres, making it difficult to classify definitively. Still, one thing is for sure: if the mental states of the characters contribute to the story—the more unstable the better—and the plot revolves around this delicate balance, chances are you’re reading psychological suspense. And you’re reading with the lights on.
~Jordan Foster, "Top Ten Writers of Psychological Suspense"

Why do we love to read genres like psychological suspense? The intricacy of the plot? The complex, often wounded characters? The moral ambiguity that often ends up being punished? The fact that these tales have a domestic aspect, often set in familiar places and locales, while amping up the tension?  Psychology Today suggests it's because of their "power to stir up intense emotion. Our brains release neurotransmitters like dopamine, and oxytocin when we are intensely emotional (intensely happy as well as scared, or horrified) and these can serve to consolidate memories, and even strengthen bonds between us and others sharing the same experience." Maybe it's just the fascination with other people's psyches - Jessica Ferri asserts on the Early Bird Books site, "There's no escaping your own mind," but maybe you can, a little, by digging deep into the minds of others.

Fans of mysteries and thrillers will have likely heard of Daphne du Maurier, Gillian Flynn, Tana French, Sophie Hannah, Patricia Highsmith, and Ruth Rendell. But how about some of these less well known twisty tales?

Dare Me by Megan Abbott

The Forgotten Girls by Sara Blaedel

A Place of Execution by Val McDermid

Now You See Me by S. J. Bolton

The Clairvoyants by Karen Brown

The Visitors by Catherine Burns

The Silent Sister by Diane Chamberlain

Little Deaths by Emma Flint

The Ice Beneath Her by Camilla Grebe

Long Man by Amy Greene

Her by Harriet Lane

The Fall Guy by James Lasdun

I Let You Go by Clare Mackintosh

Alex by Pierre Lemaître

The Perfect Girl by Gilly Macmillan

House. Tree. Person. by Catriona McPherson

The Iron Gates by Margaret Millar

Unravelling Oliver by Liz Nugent

The Walls by Hollie Overton

Drowned by Therese Bohman

The Perfect Neighbors by Sarah Pekkanen

Let Me Die In His Footsteps by Lori Roy

Unbecoming by Rebecca Scherm

The Kind Worth Killing by Peter Swanson

In a Dark, Dark Wood by Ruth Ware

Heartsick by Chelsea Cain

Watching Edie by Camilla Way

The Black Angel by Cornell Woolrich [eBook]


Refinery29 says "Once you've reached the end and all the secrets have spilled out, it's not always fun to go back and read them again. You need new mysteries to unravel — new plotlines and characters to make the hair on your neck stand on end." Have you ever re-read a suspense thriller, or do you agree with their assessment? Regardless, you can find many more twisty titles in the library catalog - for more books, try a subject search in the catalog using the terms "Psychological fiction" or "Suspense fiction." But be prepared - there are thousands of titles to sort through!

Thursday, August 10, 2017

Unreliable Narrators

Used with permission of Powell's Books, Inc.
If you follow Powell's Books, a Portland, OR independent bookseller since 1971 (their flagship store is called Powell's City of Books), on Facebook, you will often find them posting pictures of in-house displays and asking you what you're reading this weekend. We were particularly intrigued by their "Unreliable Narrator" display.

We're not going to tell you in what way each of these narrators are unreliable, but don't read this post if you don't like spoilers, because all of these narrators are misleading you in one way or another - they may be the guilty party; they may be insane; they may just have personal bias. But none of these books will end up exactly where you thought they might.

Why are we writing about them, you might add, if it's  a possible spoiler situation? Well, as the web site TV Tropes attests, "As an author, this is a difficult trick to pull off. It is a lot easier to tell a straight story than it is to deliberately mislead the audience." They also list a couple of techniques - "Framing Device, ""Literary Agent Hypothesis," and "Rashomon-style," to give you specific examples. Let's give the authors credit for coming up with such inventive plots that turned their stories upside-down!

We don't really think about it normally, but when you pick up a book, "there's an element of trust that the person telling you the story is telling the truth, at least as far as they know it." That's why Agatha Christie's The Murder of Roger Ackroyd, one of our favorite unreliable narrator titles, was so startling and mystery-convention-breaking back in 1926. The reader expects to have to figure out whodunnit, but also expects to be given the facts, the truth, to work with.

So, here's our list of some unreliable narrators you might not have heard of (we're going to assume you all know about Gone Girl and The Girl on the Train) or may have forgotten about (we hope you haven't forgotten Rebecca, another of our favorites). But, if you're interested in twisting your brain around more titles like these, Goodreads has a pretty comprehensive list. Just know, someone in the book is probably lying to you... 😲

The Three by Sarah Lotz

The Gargoyle by Andrew Davidson

The Wasp Factory by Iain Banks

What Was She Thinking?: Notes on a Scandal by Zoë Heller

Fall by Colin McAdam

Atonement by Ian McEwan

How To Be a Good Wife by Emma Chapman

John Dies at the End by David Wong

Where the Moon Isn't by Nathan Filer

Thursday, November 3, 2016

We Never Saw That Coming: Killer Plot Twists

I love a good twist. I love the moment when the story aligns and you can see the events through two different lenses—the lens of what you’ve assumed is happening, and the lens of what you now know is happening—and all the subtle clues and contrasts between the two become visible. It’s two stories for the price of one: the story you thought you were reading, and the second story hidden inside the first like a geode. Even when I can see the twist coming before it does, it’s still fun to watch the intersection between those two stories.
~C. A. Higgins, "It Was All a Lie: Five Books With Plot Twists that Flip Your Perception"

Do you enjoy a good plot twist?  In movies, the most famous plot twists we think of are in The Usual Suspects, Fight Club, The Sixth Sense. In books, And Then There Were None always comes up in discussion, and of course, more recently, Gone Girl and The Girl on the Train. What's your favorite plot twist? We continue to be fooled by the Unreliable Narrator, and are always disappointed by what the pop culture wiki TVTropes calls the Captain Obvious Reveal - this is usually caused by heavy-handed foreshadowing, or if the reader is particularly genre-savvy.

For your reading pleasure, we've put together a list of reads recommended by various scribes of the internet for their finely tuned plot twists, which are practically guaranteed to shock! Some are more recent, some are older, and they are not all mysteries. Which ones have you read? Which ones surprised you most? If we're missing any great plot twists in our list, please let us know in the comments.

Lost Among the Living by Simone St. James

We Were Liars by E. Lockhart [YA]

The Murder of Roger Ackroyd: A Hercule Poirot Mystery by Agatha Christie 

Girl With All the Gifts by M. R. Carey 

Shutter Island by Dennis Lehane  

The Turn of the Screw by Henry James  

Tell No One by Harlan Coben  

Sweet Tooth by Ian McEwan  

Fingersmith by Sarah Waters [audiobook, eAudiobook] 

We Have Always Lived in the Castle by Shirley Jackson  

The Secret Keeper by Kate Morton 

I Let You Go by Clare Mackintosh   

The Wasp Factory by Iain Banks  

The Shadow of the Wind by Carlos Ruiz Zafón  

Midnight in the Garden of Good and Evil: A Savannah Story by John Berendt [eBook, eAudiobook] 

November 9 by Colleen Hoover  

The Tourist by Robert Dickinson  

The Trap by Melanie Raabe
 
Links

10 Books With Unexpected Plot Twists [Early Bird Books] 

15 Books to Read If You Love a Shocking Plot Twist [Bustle]

Gone Girl and Other Thrillers With Shocking Plot Twists [Bookish]

The 36 Books With the Biggest Plot Twists [For Reading Addicts]

Thursday, January 28, 2016

If You Liked The Girl on the Train, Try Other Novels of Psychological Suspense

I’ve long been a horror fan, too, but I’ve always been more partial to the less-graphic end of the genre, those titles that blend into psychological suspense, horror’s less gory but equally disturbing sibling. When I wrote about psychological suspense five years ago, it was a poor stepsister to horror with a strong following among readers but not much publisher support. The publication of Gone Girl in 2012 changed all that, and now psychological suspense is one of our hottest genres...These chilling novels play with our minds and leave us wondering—about characters as well as plot resolutions. Authors create nightmare situations that the protagonists seek to escape, but these are internal, psychological monsters rather than external or supernatural ones. These novels create claustrophobic worlds of unease and potential disaster in which characters explore their options and, especially, their obsessions, while readers observe from the outside. There’s a growing sense of foreboding, but the compelling pace stems not from action but from the intensity of the mood. Creepy, unsettling, and disturbing are the words we often choose to describe these books—and how they affect us.
~Joyce Saricks, "At Leisure with Joyce Saricks: Psychological Suspense, Horror's Disturbing Sibling"
 
Psychological suspense has been around for a long time. Henry James wrote The Turn of the Screw in 1898. Daphne Du Maurier's Rebecca is usually called Gothic fiction, but we think it could fit the definition of psychological suspense, sometimes called psychological thrillers - "a suspenseful movie or book emphasizing the psychology of its characters rather than the plot". Patricia Highsmith, author of Strangers On a Train (on which Hitchcock's classic movie is based) and The Talented Mr. Ripley, and Shirley Jackson are considered masters of the genre, as was the recently departed Ruth Rendell (who also wrote as Barbara Vine).

Now, with the publication of Gone Girl and The Girl on the Train, psychological suspense is back in the spotlight. (There's even a sub-genre specially created to encompass these two titles - "chick noir".) We like psychological suspense because the novels are tricky, like mysteries, and creepy, but not as scary as horror (we're literary cowards that way). For all those looking for more in the same vein as the "Girl" novels, we've created a list of titles recommended by Booklist, Goodreads, and our own literary database, NoveList, that we hope will keep you up late at night with all the lights on for a long time to come.

Master of the Delta by Thomas H. Cook

After I'm Gone by Laura Lippman

Blue Monday by Nicci French

Shutter Island by Dennis Lehane

The Ghost by Robert Harris

The Keep by Jennifer Egan

In the Lake of the Woods by Tim O'Brien

The Book of You by Claire Kendall

Until You're Mine by Samantha Hayes

Before I Go to Sleep by S. J. Watson

Bird Box by Josh Malerman

Heartsick by Chelsea Cain

Help for the Haunted by John Searles

The Night Following by Morag Joss

Plum Wine by Angela Davis-Gardner

The King of Lies by John Hart

Season to Taste by Natalie Young

The Kind Worth Killing by Peter Swanson

Before We Met by Lucie Whitehouse


Looking for more titles? Try a subject search of "suspense fiction" or "psychological fiction", or a keyword search of "psychological suspense".


Saturday, October 31, 2015

Featured Author: Shirley Jackson

Shirley Jackson, who died 50 years ago this month at the much too early age of 48, left behind a solid literary opus anchored in two indelible works: the iconic short story “The Lottery” and the classy ghost story novel, The Haunting of Hill House (turned into the equally classy movie chiller, The Haunting, starring Julie Harris and Claire Bloom). On the basis of these much-loved works of fiction, we tend to remember Jackson for her dark, if wry, vision, but as a new collection of her previously unpublished and uncollected stories, essays and occasional pieces reminds us, she—and her work—were so much more.
~Robert Weibezahl, "Well Read: Beyond 'The Lottery'", BookPage August 2015

Shirley Jackson (1916-1965) "was viewed in the 'Mad Men' era as a mere female scribbler" - her husband, Stanley Edgar Hyman, brought home the bacon as a New Yorker staff writer while Jackson wrote around household duties, including raising four children. She had "occult tendencies", including an interest in tarot and poltergeists and a collection of grimoires, so it's perhaps no wonder that her fiction tended to depict the "domestic nightmare".

This year saw the release of Shirley Jackson's  Let Me Tell You: New Stories, Essays, and Other Writings. Many of the essays are observations of family life which Jackson contributed to "women's magazines"; the stories generally explore the creepiness of everyday life; Library Journal* praises it:

Remember the chilling excitement of reading Jackson's "The Lottery" for the first time? You'll have that same experience over and over again with this new collection, which offers more than 50 unpublished and uncollected works drawn from Jackson's papers at the Library of Congress and coedited by two of her children.
Publisher's Weekly* also recommended it:
Not every piece equals the artistry of "The Lottery," the controversial 1948 story that became an anthology and textbook staple, nor do all the pieces prove as haunting as The Haunting of Hill House. Yet together they are a multifaceted portrait of the artist as wife, mother, commentator on the comfortable middle class, and pioneer who explored a world of inexplicable, occasionally frightening phenomena. Writing about her kitchen, she describes its feuding forks, preening glasses, and sarcastic eggbeater. Jackson suggests (rather than delves into) that which is unnerving, writing in a smart, sharp, clear voice. 

And what better time to revisit the writings of the woman who was "an inspiration to writers from Stephen King to Joyce Carol Oates, [and] dared to look on the dark side and imagine the unimaginable"* than Halloween? Probably you've heard of The Lottery and Other Stories and The Haunting of Hill House (and perhaps you've seen one of the movies based on the latter, The Haunting [1999] and/or [1963]), but though Jackson's life was short, there are many other works to consider, many (but not all) of them spooky and unsettling. Here's a list of Shirley Jackson items in the library catalog:

The Sundial
Before there was Hill House, there was the Halloran mansion of Jackson's stunningly creepy fourth novel, The Sundial. When the Halloran clan gathers at the family home for a funeral, no one is surprised when the somewhat peculiar Aunt Fanny wanders off into the secret garden. But then she returns to report an astonishing vision of an apocalypse from which only the Hallorans and their hangers-on will be spared, and the family finds itself engulfed in growing madness, fear, and violence as they prepare for a terrible new world.*

Hangsaman
Seventeen-year-old Natalie Waite longs to escape home for college. Her father is a domineering and egotistical writer who keeps a tight rein on Natalie and her long-suffering mother. When Natalie finally does get away, however, college life doesn't bring the happiness she expected. Little by little, Natalie is no longer certain of anything--even where reality ends and her dark imaginings begin. Chilling and suspenseful, Hangsaman is loosely based on the real-life disappearance of a Bennington College sophomore in 1946.* 

Just An Ordinary Day
A collection of new and previously unpublished stories.* 

Life Among the Savages
In her celebrated fiction, Shirley Jackson explored the darkness lurking beneath the surface of small-town America. But in Life Among the Savages, she takes on the lighter side of small-town life. In this witty and warm memoir of her family’s life in rural Vermont, she delightfully exposes a domestic side in cheerful contrast to her quietly terrifying fiction. With a novelist’s gift for character, an unfailing maternal instinct, and her signature humor, Jackson turns everyday family experiences into brilliant adventures.**

We Have Always Lived in the Castle
Taking readers deep into a labyrinth of dark neurosis, We Have Always Lived in the Castle is a deliciously unsettling novel about a perverse, isolated, and possibly murderous family and the struggle that ensues when a cousin arrives at their estate.**

The Bird's Nest
Elizabeth is a demure twenty-three-year-old wiling her life away at a dull museum job, living with her neurotic aunt, and subsisting off her dead mother’s inheritance. When Elizabeth begins to suffer terrible migraines and backaches, her aunt takes her to the doctor, then to a psychiatrist. But slowly, and with Jackson’s characteristic chill, we learn that Elizabeth is not just one girl—but four separate, self-destructive personalities. The Bird’s Nest, Jackson’s third novel, develops hallmarks of the horror master’s most unsettling work: tormented heroines, riveting familial mysteries, and a disquieting vision inside the human mind.**

Come Along With Me: Part of a Novel, Sixteen Stories and Three Lectures 
This eclectic collection goes beyond her horror writing, revealing the full spectrum of her literary genius. In addition to Come Along with Me, Jackson's unfinished novel about the quirky inner life of a lonely widow, it features sixteen short stories and three lectures she delivered during her last years.**

9 Magic Wishes (J)
A child meets a magician who grants eight wonderfully fantastic wishes, with one wish left over. 


Also consider Private Demons: The Life of Shirley Jackson, a biography by Judy Oppenheimer, and Shirley by Susan Scarf Merrell, a psychological thriller in which fictional young couple spends a year at Bennington in 1964 with novelist Shirley Jackson and her husband.


*quote taken from the library catalog
**quote taken from Amazon.com

Thursday, September 4, 2014

Borderlands in Fiction and Non-Fiction

In contemporary crime fiction, border noir typically finds its home along the demilitarized zone separating the U.S. and Mexico, the jumping-off point for illegal immigrants desperate to move north, as well as the conduit for the flow of drugs and guns across the border (guns moving south, drugs moving north). Novels set on our southern border—typically in El Paso and Juárez, or San Diego and Tijuana—have flourished in the last several decades, reflecting both our ongoing battles over immigration policy and our so-often catastrophic war on drugs. The novels listed below reflect those sociopolitical issues, to be sure, but their emotional core goes deeper than that, to border culture itself, wherever those borders may be, and to the timeless chaos of lives in transition or, worse, suspended in the perpetually deferred dream of transition.
~Bill Ott* 

Not too long ago, we took an abcreads field trip to the movies to watch Gael García Bernal in Who is Dayani Cristal?, a moving documentary which combines the forensic investigation of the body of an anonymous migrant found in Arizona with García Bernal's journey through Central America, retracing the man's steps along the migrant trail.  This, and the article in Booklist linked below, reminded us of our own proximity to the U.S.-Mexico border and inspired us to provide this list of items from the catalog.

Fiction

Angel Baby by Richard Lange

The Border Lords by T. Jefferson Parker

Choke Point by James C. Mitchell

Death of an Evangelista by Allana Martin

Desert Blood: the Juárez Murders by Alicia Gaspar de Alba

Dove Season: A Jimmy Veeder Fiasco by Johnny Shaw

La Mordida by Jim Sanderson

The Power of the Dog by Don Winslow

Redback by Kirk Russell

Rules of Wolfe: A Border Noir by James Carlos Blake

Taken by Robert Crais

Tijuana Straits by Kem Nunn

Triple Crossing by Sebastian Rotella

Wrecked by Tricia Fields

Border Songs by Jim Lynch   

The Border is Burning by Ito Romo

Sunland by Don Waters

Golondrina, Why Did You Leave Me? by Bárbara Renaud González


Non-Fiction

The Dangerous Divide: Peril and Promise on the US-Mexico Border by Peter Eichstaedt

The Distance Between Us: A Memoir by Reyna Grande

Left Behind: Life and Death Along the U.S. Border by Jonathan Hollingsworth

The American Wall: From the Pacific Ocean to the Gulf of Mexico by Maurice Sherif

Lost Souls = Animas perdidas  [DVD]
         

Links

Hard-Boiled Gazetteer to Border Noir [Booklist]*

Tuesday, August 26, 2014

New and Novel: Crime Novels

Series versus stand-alone, hard-boiled versus cozy, historical versus contemporary, a carefully planned menu versus potluck? Picking the best crime novels of the year is no easy trick.
~Bill Ott* 


Looking for a few good books full of mystery and suspense?  Here are some of the best-reviewed (and Booklist recommended) reads of the past few months.  Covert operations! Daring escapes! Obsession! Treachery! Psychological character studies! Enigmatic strangers! These books explore all the malevolent forces at work in the world, and their aftermath.

The Cairo Affair by Olen Steinhauer

In the Morning I'll Be Gone by Adrian McKinty

Natchez Burning by Greg Iles

An Officer and a Spy by Robert Harris

The Orphan Choir by Sophie Hannah

Shovel Ready by Adam Sternbergh

The Thicket by Joe R. Lansdale

The Ascendant by Drew Chapman

Decoded by Mai Jia 

Deliverance of Evil by Roberto Costantini

North of Boston by Elisabeth Elo

Precious Thing by Colette McBeth

The Word Exchange by Alena Graedon                

The Fever by Megan Abbott

The Director by David Ignatius

The Bone Seeker by M. J. McGrath

The Late Scholar by Jill Paton Walsh

One Kick by Chelsea Cain

The Son by Jo Nesbø


Links 

The Year's Best Crime Novels: 2014 [Booklist]*