This year's World Fantasy Convention (when the World Fantasy Awards will be presented) has the theme of "1914 - Three Centennials - 2014" - honoring British author Robert Aickman and sci-fi/horror illustrator Virgil Findlay, and commemorating the beginning of WWI. "1914 was a time of transition...We welcome you to join us in exploring the many facets, both light and dark, of these forces that shaped the future," their website explains. (You can read more about the theme there.) Though the convention is not until November, their timeline of the centennial of the Great War begins August 5th, with Montenegro declaring war on Austria-Hungary. It also reminds us that "[w]hile J. R. R. Tolkien and Robert Graves survived, William Hope Hodgson and
Saki were lost in the war. In addition, Ambrose Bierce vanished into
the Mexican Revolution that year."
With this theme in mind, we present to you a list of fantasy classics for your perusal, many recommended by staff! We hope you will enjoy this list, and that it reminds you of fantasy fiction's long and varied history.
The Chronicles of Narnia by C. S. Lewis
The Illustrated Gormenghast Trilogy by Mervyn Peake
The Hobbit and The Lord of the Rings by J. R. R. Tolkien
The Mists of Avalon by Marion Zimmer Bradley
Something Wicked This Way Comes by Ray Bradbury
The Sword of Shannara by Terry Brooks
Lord Foul's Bane by Stephen R. Donaldson
A Spell for Chameleon by Piers Anthony [eBook]
The Last Unicorn by Peter Beagle
Till We Have Faces by C. S. Lewis
The Once and Future King by T.H. White
Conan the Barbarian by Robert E. Howard
The Dreamthief's Daughter: A Tale of the Albino by Michael Moorcock
The Crystal Cave by Mary Stewart
Deryni Rising by Katherine Kurtz
Assassin's Apprentice by Robin Hobb
There are also many fantasy classics that fall under the classification of children's fiction, but are enjoyable for all ages:
Alice’s Adventures in Wonderland by Lewis Carroll
Wizard of Earthsea by Ursula LeGuin
Wizard of Oz by L. Frank Baum
The Wind in the Willows by Kenneth Grahame
The Voyages of Doctor Doolittle by Hugh Lofting [eBook]
Mary Poppins by P.L. Travers
Finn Family Moomintroll by Tove Jansson
The Book of Three by Lloyd Alexander
Over Sea, Under Stone by Susan Cooper
Are there classics we've missed? What would you add (or subtract) from this list?
Links
"Core Collection: Fantasy Classics" [Booklist]
"Carte Blanche: Appreciating Oz" [Booklist]
Thursday, August 14, 2014
Monday, August 11, 2014
YA Horror
I keep thinking of something attributed to Alan
Moore: most people think horror is a man cutting a tomato at the kitchen
counter and then continuing on to slice off his fingers. But horror
actually is a man cutting a tomato at the kitchen counter and then the
tomato runs up his arm and bites off his ear.
~Barry Lyga
Do all children who read Goosebumps and Scary Stories to Tell in the Dark grow up to read Stephen King? Well, if you're not ready for your teen to advance to adult horror fiction just yet, but they love scary stories, here are some young adults titles to entertain them in the meantime. Or, if you're an adult who loves horror stories, consider trying out young adult versions to see if they're comparable! Several of these titles are recommendations from young adult horror authors Robin Wasserman, Brenna Yovanoff, Barry Lyga, and Daniel Kraus.*
Henry Franks by Peter Adam Salomon
Scowler by Daniel Kraus
The Diviners by Libba Bray
The Stone Child by Dan Poblocki (J)
Bliss by Lauren Myracle
I Hunt Killers by Barry Lyga
The Waking Dark by Robin Wasserman
The Replacement by Brenna Yovanoff
Clay by David Almond
The Monstrumologist edited by Rick Yancey
The Summoning by Kelley Armstrong
Links
"Monsters, Murder, and Morality: A Graveside Chat about YA Horror Fiction" (Booklist)*
"Horror in YA Lit Is a Staple, Not a Trend" (School Library Journal)
"12 Creepy YA Books That Should Be Made Into Horror Movies" (Epic Reads)
~Barry Lyga
Do all children who read Goosebumps and Scary Stories to Tell in the Dark grow up to read Stephen King? Well, if you're not ready for your teen to advance to adult horror fiction just yet, but they love scary stories, here are some young adults titles to entertain them in the meantime. Or, if you're an adult who loves horror stories, consider trying out young adult versions to see if they're comparable! Several of these titles are recommendations from young adult horror authors Robin Wasserman, Brenna Yovanoff, Barry Lyga, and Daniel Kraus.*
Henry Franks by Peter Adam Salomon
Scowler by Daniel Kraus
The Diviners by Libba Bray
The Stone Child by Dan Poblocki (J)
Bliss by Lauren Myracle
I Hunt Killers by Barry Lyga
The Waking Dark by Robin Wasserman
The Replacement by Brenna Yovanoff
Clay by David Almond
The Monstrumologist edited by Rick Yancey
The Summoning by Kelley Armstrong
Links
"Monsters, Murder, and Morality: A Graveside Chat about YA Horror Fiction" (Booklist)*
"Horror in YA Lit Is a Staple, Not a Trend" (School Library Journal)
"12 Creepy YA Books That Should Be Made Into Horror Movies" (Epic Reads)
Thursday, August 7, 2014
Mosaic Muralists at Juan Tabo Library
In July of 2013, artists and their young apprentices from the Mayor's Art Institute at Harwood Art Center began an art project at the Juan Tabo Library. The tile mosaic mural on the building's front wall is an amazing celebration of New Mexico's storytellers. This year, the muralists have returned, and are adding to their masterpiece. The latest work will be unveiled at a ceremony on August 8, 2014 at 6:00 PM at the Juan Tabo branch library. All community members are welcome to attend. Last year's festivities included a reading by Albuquerque's then poet laureate, Hakim Bellamy, and a presentation by the artists on their influences and the message they hope to give through their mural. We hope to see you there!
Many of the branches of ABC Library have art in all kinds of mediums. Check with your local branch to find out what kind of art might be there. You can learn about public art all over the city by going to the city's webpage on public art. You can even view Albuquerque's interactive public art map!
If seeing the mural inspires you to try your own hand at making mosaics take a look at these books to get you started:
Garden Patterns and Mosaics by Clare Matthews
The Complete Mosaic Handbook: Projects, Techniques, Designs by Sarah Kelly
Easy Mosaics for Your Home and Garden by Sarah Donnelly
The Complete Pebble Mosaic Handbook by Maggy Howarth
You can also search our catalog under Mosaics.
Many of the branches of ABC Library have art in all kinds of mediums. Check with your local branch to find out what kind of art might be there. You can learn about public art all over the city by going to the city's webpage on public art. You can even view Albuquerque's interactive public art map!
If seeing the mural inspires you to try your own hand at making mosaics take a look at these books to get you started:
Garden Patterns and Mosaics by Clare Matthews
The Complete Mosaic Handbook: Projects, Techniques, Designs by Sarah Kelly
Easy Mosaics for Your Home and Garden by Sarah Donnelly
The Complete Pebble Mosaic Handbook by Maggy Howarth
You can also search our catalog under Mosaics.
Tuesday, August 5, 2014
The Hawking Index
There are certain books on our "must read" list. Books it seems like everyone else is reading (ahem, The Goldfinch). Books that will make us look well-read. Books we've been told will change our lives.
Finally, we find the time to read these books. We pick them up, read a few (or a hundred) pages, and set them down. Later down the road we may valiantly try again, but they will probably remain half-read, doomed to our "I meant to read" or "I tried to get through but couldn't" list.
We've all done this for different reasons, and we've all felt guilty about it. But now there's (unscientific) proof that we're not alone! Math professor Jordan Ellenberg has provided us with an entertaining method to get a sense of how far people are reading by looking at a Kindle book's top highlighted passages. He calls it the Hawking Index (named for Stephen Hawking's A Brief History of Time):
"Amazon's "Popular Highlights" feature provides one quick and dirty measure. Every book's Kindle page lists the five passages most highlighted by readers. If every reader is getting to the end, those highlights could be scattered throughout the length of the book. If nobody has made it past the introduction, the popular highlights will be clustered at the beginning."
Here are some of his findings:
The Goldfinch by Donna Tartt : 98.5%
Catching Fire by Suzanne Collins : 43.4%
The Great Gatsby by F. Scott Fitzgerald : 28.3%
Fifty Shades of Grey by E.L. James: 25.9%
A Brief History of Time by Stephen Hawking: 6.6%
Capital in the Twenty-First Century by Thomas Piketty : 2.4%
At abcreads, we have some books we're guilty of not finishing (we're getting to them!). Here's what makes our list:
The Return of the Native by Thomas Hardy
Middlemarch by George Eliot
Life After Life by Kate Atkinson
Sense and Sensibility by Jane Austen
Anna Karenina by Leo Tolstoy
The Iliad by Homer
Infinite Jest by David Foster Wallace (Ellenberg addresses this book and more in his blog)
What books are on your "I tried" list?
For more, check out NPR and the Chicago Tribune.
Finally, we find the time to read these books. We pick them up, read a few (or a hundred) pages, and set them down. Later down the road we may valiantly try again, but they will probably remain half-read, doomed to our "I meant to read" or "I tried to get through but couldn't" list.
We've all done this for different reasons, and we've all felt guilty about it. But now there's (unscientific) proof that we're not alone! Math professor Jordan Ellenberg has provided us with an entertaining method to get a sense of how far people are reading by looking at a Kindle book's top highlighted passages. He calls it the Hawking Index (named for Stephen Hawking's A Brief History of Time):
"Amazon's "Popular Highlights" feature provides one quick and dirty measure. Every book's Kindle page lists the five passages most highlighted by readers. If every reader is getting to the end, those highlights could be scattered throughout the length of the book. If nobody has made it past the introduction, the popular highlights will be clustered at the beginning."
Here are some of his findings:
The Goldfinch by Donna Tartt : 98.5%
Catching Fire by Suzanne Collins : 43.4%
The Great Gatsby by F. Scott Fitzgerald : 28.3%
Fifty Shades of Grey by E.L. James: 25.9%
A Brief History of Time by Stephen Hawking: 6.6%
Capital in the Twenty-First Century by Thomas Piketty : 2.4%
At abcreads, we have some books we're guilty of not finishing (we're getting to them!). Here's what makes our list:
The Return of the Native by Thomas Hardy
Middlemarch by George Eliot
Life After Life by Kate Atkinson
Sense and Sensibility by Jane Austen
Anna Karenina by Leo Tolstoy
The Iliad by Homer
Infinite Jest by David Foster Wallace (Ellenberg addresses this book and more in his blog)
What books are on your "I tried" list?
For more, check out NPR and the Chicago Tribune.
Saturday, August 2, 2014
J.K. Rowling: Should She Stop Writing?
Back in February, Lynn Shepherd posted an editorial on Huffington Post's UK blog about J.K. Rowling and why Rowling should stop writing. Shepherd equated Rowling's The Cuckoo's Calling (written under the pseudonym Robert Galbraith) to a monopoly, suggesting that the high sales of the book resulted in other books not being sold or possibly even given shelf space. Here are some of Shepherd's thoughts about The Cuckoo's Calling phenomenon and J.K. Rowling writing adult fiction:
"The book [The Cuckoo's Calling] dominated crime lists, and crime reviews in newspapers, and crime sections in bookshops, making it even more difficult than it already was for other books - just as well-written, and just as well-received - to get a look in. Rowling has no need of either the shelf space or the column inches, but other writers desperately do. And now there's going to be a sequel, and you can bet the same thing is going to happen all over again."
"By all means keep writing for kids, or for your personal pleasure - I would never deny anyone that - but when it comes to the adult market you've had your turn. Enjoy your vast fortune and the good you're doing with it, luxuriate in the love of your legions of fans, and good luck to you on both counts. But it's time to give other writers, and other writing, room to breathe."
Shepherd's editorial got me thinking--is it fair? While I understand the frustration Shepherd expresses--the same frustration is expressed often when celebrities publish fiction--in that it's hard to be published, and Rowling's books might mean other, equally talented, adult fiction writers won't get published. Still, I'm not sure I agree with Shepherd's sentiments. After all, J.K. Rowling had to start somewhere, too. According to Wikipedia, it took her approximately four years to write Harry Potter and the Sorcerer's Stone, and twelve publishing houses rejected the manuscript before Bloomsbury purchased the manuscript and published it in 1997.
What this means is, Rowling's publishing story isn't unlike that of other authors. It proves, in fact, how difficult it can be to get published. Did the success of Harry Potter make it easier for Rowling to publish adult fiction? Maybe. Does that mean she shouldn't continue to write and publish adult fiction, and instead let lesser-known and unknown authors publish it instead? I'm not so sure. After all, if she should stop writing adult fiction for those reasons, then so should many other authors--Stephen King, James Patterson, Danielle Steel, and other bestselling authors. In addition, if Rowling has had her turn with adult fiction, then can't it also be said that she's had her turn with children's fiction, and possibly just writing in general? The age level a book is written for doesn't make it easier or harder to be published--it's likely that there are just as many unknown children's authors as there are adult fiction authors, so can't it be said that if Rowling writes more children's fiction, she's taking shelf space and other resources away from children's authors who haven't been published yet? (That is, of course, if we follow Shepherd's logic.)
What do you think? Do you agree with Shepherd, and that Rowling has had her turn with adult fiction? Should Rowling only write children's fiction, or should she celebrate her success as a writer for multiple age levels across multiple genres, and continue to write anything she wants to write?
"The book [The Cuckoo's Calling] dominated crime lists, and crime reviews in newspapers, and crime sections in bookshops, making it even more difficult than it already was for other books - just as well-written, and just as well-received - to get a look in. Rowling has no need of either the shelf space or the column inches, but other writers desperately do. And now there's going to be a sequel, and you can bet the same thing is going to happen all over again."
"By all means keep writing for kids, or for your personal pleasure - I would never deny anyone that - but when it comes to the adult market you've had your turn. Enjoy your vast fortune and the good you're doing with it, luxuriate in the love of your legions of fans, and good luck to you on both counts. But it's time to give other writers, and other writing, room to breathe."
Shepherd's editorial got me thinking--is it fair? While I understand the frustration Shepherd expresses--the same frustration is expressed often when celebrities publish fiction--in that it's hard to be published, and Rowling's books might mean other, equally talented, adult fiction writers won't get published. Still, I'm not sure I agree with Shepherd's sentiments. After all, J.K. Rowling had to start somewhere, too. According to Wikipedia, it took her approximately four years to write Harry Potter and the Sorcerer's Stone, and twelve publishing houses rejected the manuscript before Bloomsbury purchased the manuscript and published it in 1997.
What this means is, Rowling's publishing story isn't unlike that of other authors. It proves, in fact, how difficult it can be to get published. Did the success of Harry Potter make it easier for Rowling to publish adult fiction? Maybe. Does that mean she shouldn't continue to write and publish adult fiction, and instead let lesser-known and unknown authors publish it instead? I'm not so sure. After all, if she should stop writing adult fiction for those reasons, then so should many other authors--Stephen King, James Patterson, Danielle Steel, and other bestselling authors. In addition, if Rowling has had her turn with adult fiction, then can't it also be said that she's had her turn with children's fiction, and possibly just writing in general? The age level a book is written for doesn't make it easier or harder to be published--it's likely that there are just as many unknown children's authors as there are adult fiction authors, so can't it be said that if Rowling writes more children's fiction, she's taking shelf space and other resources away from children's authors who haven't been published yet? (That is, of course, if we follow Shepherd's logic.)
What do you think? Do you agree with Shepherd, and that Rowling has had her turn with adult fiction? Should Rowling only write children's fiction, or should she celebrate her success as a writer for multiple age levels across multiple genres, and continue to write anything she wants to write?
Wednesday, July 30, 2014
Remembering Erna Fergusson
July 30, 2014 marks the fiftieth anniversary of the death of Erna Fergusson. ABC Library remembers Fergusson as an ally, a pioneer, and a patron in the best sense of the word. The cultural and intellectual growth of Albuquerque’s citizens mattered to Fergusson as much as the growth of its streets and subdivisions. Her staunch support of Albuquerque’s libraries ensured that as the city grew, its libraries did, too.
Erna (Ernestine Mary) Fergusson was born in 1888. Her grandfather, Franz Huning, was one of three key players who brought the railroad to Albuquerque. Her mother, Clara Huning Fergusson, was active in civic affairs, and her father, Harvey B. Fergusson, served from 1912 to 1915 as congressman for the newly-admitted state of New Mexico.
Among her varied careers, Fergusson taught, worked for the Red
Cross home service, reported for the Albuquerque
Herald newspaper, ran Koshare Tour Services, and wrote several
books. Her occupations always served her principal preoccupations -- her
passion for the unique beauties of New Mexico, and her faith in “New Mexico’s
extraordinary opportunity to make of its diverse heritages a richly patterned
and truly democratic community.” (New Mexico: a Pageant of Three Peoples, p.264.)
When it came to Albuquerque’s public libraries, Fergusson
was both historian and advocate. She remembered the library ball, an early
fundraising effort by the Ladies’ Library Association. She was an adolescent witness
to the battle over moving the library from the Commercial Club to the Raynolds
building in 1901, and she was instrumental in the campaign to build a new
library (now Special
Collections) in 1925.
Of the rebuilding of Albuquerque’ first public library she
recalled the argument that persuaded Clyde Tingley that the fire-damaged Raynolds
building should be demolished and a new library built on the same site:
“The chairman of the City
Commission at the time was a very picturesque gentleman who had no books and
naturally saw no point to anyone else having them. But he was a builder – he liked
building – that interested him, and he said to me one time, ‘You know, I seen
all that stone in that old Raynolds Building and I just thought wouldn’t that
make a good fire station.’ So he put it to the City Commission that way, and
the City Commission agreed that a new Fire House would be fine, and you
couldn’t get any better stone than tearing down that old library. Then there
was going to be a pile of bricks which they might as well use to build a new
library.” (“Libraries in the Southwest:
Their Growth – Strengths – Needs.” UCLA Library Occasional Papers.
Number 3. 1955.)
Fergusson led the call to rebuild the library in the Pueblo
Revival style: “It will be as good an advertisement for the town as the
Alvarado and Franciscan [hotels] have proven to be in the past.” (New Mexico State Tribune, June 19, 1924).
Albuquerque was fortunate that she and her supporters prevailed – the Alvarado
and the Franciscan are long gone, but the library is still in business.
Erna Fergusson understood that it took persistence and hard work to build a library – not so much to build the edifice, but to solve the “terrific problem: how to make people realize that money invested in books … is a good investment in the town.” (“Libraries in the Southwest: Their Growth – Strengths – Needs.” UCLA Library Occasional Papers. Number 3. 1955.) For forty years, she lent her support as the Albuquerque Public Library on Edith and Central grew into a library system with six locations and bookmobile service to the unincorporated areas of Bernalillo County.
Erna Fergusson understood that it took persistence and hard work to build a library – not so much to build the edifice, but to solve the “terrific problem: how to make people realize that money invested in books … is a good investment in the town.” (“Libraries in the Southwest: Their Growth – Strengths – Needs.” UCLA Library Occasional Papers. Number 3. 1955.) For forty years, she lent her support as the Albuquerque Public Library on Edith and Central grew into a library system with six locations and bookmobile service to the unincorporated areas of Bernalillo County.
The Friends
for the Public Library, the Albuquerque
Public Library Foundation, and the Library Advisory Board continue
Fergusson’s efforts to address the “terrific problem”. Albuquerque dedicated its seventh library to
her memory when it opened Erna
Fergusson Library on April 3rd, 1966. The library named in Fergusson’s
honor remains one of ABC Library’s busiest, liveliest branches – and that may
be the best tribute we can offer her.
Dedication Card for Erna Fergusson Library
For a more complete account of Fergusson’s life, check out
Robert Gish’s Beautiful Swift Fox.
Sunday, July 27, 2014
Maps & Charts
It is not down in any map; true places never are.
~Herman Melville, Moby Dick
To put a city in a book, to put the world on one sheet of paper -- maps are the most condensed humanized spaces of all...They make the landscape fit indoors, make us masters of sights we can't see and spaces we can't cover. ~Robert Harbison, Eccentric Spaces
Maps! We look at a globe or world map and take the borders and dimensions for granted, when in reality the dimensions are not always accurate and every border has a history. In this digital age, when we are more likely to do a search for an address on Mapquest or use an app on our phone to find our location, occasions to read an actual map are becoming scarcer. But map-reading, like letter-writing, is a skill we would be loath to see die out completely. Here are some books about maps and infographics to whet your appetite for geography. and perhaps improve your cartographic skills.
Sea Monsters on Medieval and Renaissance Maps by Chet Van Duzer
Maphead: Charting the Wide, Weird World of Geography by Ken Jennings
Personal Geographies: Explorations in Mixed-Media Mapmaking by Jill K. Berry
On the Map: A Mind-Expanding Exploration of the Way the World Looks by Simon Garfield
Phantom Islands of the Atlantic: The Legends of Seven Lands That Never Were by Donald S. Johnson
Strange Maps: An Atlas of Cartographic Curiosities by Frank Jacobs
In the Memory of the Map: A Cartographic Memoir by Christopher Norment [eBook]
Uncharted: Big Data as a Lens on Human Culture by Erez Aiden and Jean-Baptiste Michel
The Infographic History of the World by Valentina D'Efilippo and James Ball
Links
Map Reading Basics
Bad at Reading Maps? Maybe Your Brain Just Needs Better Maps
The Peters Projection World Map
Daily Infographic
~Herman Melville, Moby Dick
To put a city in a book, to put the world on one sheet of paper -- maps are the most condensed humanized spaces of all...They make the landscape fit indoors, make us masters of sights we can't see and spaces we can't cover. ~Robert Harbison, Eccentric Spaces
Maps! We look at a globe or world map and take the borders and dimensions for granted, when in reality the dimensions are not always accurate and every border has a history. In this digital age, when we are more likely to do a search for an address on Mapquest or use an app on our phone to find our location, occasions to read an actual map are becoming scarcer. But map-reading, like letter-writing, is a skill we would be loath to see die out completely. Here are some books about maps and infographics to whet your appetite for geography. and perhaps improve your cartographic skills.
Sea Monsters on Medieval and Renaissance Maps by Chet Van Duzer
Maphead: Charting the Wide, Weird World of Geography by Ken Jennings
Personal Geographies: Explorations in Mixed-Media Mapmaking by Jill K. Berry
On the Map: A Mind-Expanding Exploration of the Way the World Looks by Simon Garfield
Phantom Islands of the Atlantic: The Legends of Seven Lands That Never Were by Donald S. Johnson
Strange Maps: An Atlas of Cartographic Curiosities by Frank Jacobs
In the Memory of the Map: A Cartographic Memoir by Christopher Norment [eBook]
Uncharted: Big Data as a Lens on Human Culture by Erez Aiden and Jean-Baptiste Michel
The Infographic History of the World by Valentina D'Efilippo and James Ball
Links
Map Reading Basics
Bad at Reading Maps? Maybe Your Brain Just Needs Better Maps
The Peters Projection World Map
Daily Infographic
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