Tuesday, February 17, 2015

Women in Horror Month: Horror Titles To Check Out!

Women in Horror Month is celebrated every February. However, it doesn’t stop there - we work toward our mission all year long.
~from the website

Are you a fan of the horror genre? Did you know this month is Women in Horror Month (WiHM)? The goal of WiHM is "female genre artists in gaining opportunities, exposure, and education through altruistic events, printed material, articles, interviews, and online support." There are events: blog series; performances; podcasts, and more. There is a blog, Ax Wound, where you can "[r]ead about the horror filmmakers/artists you love and discover new talent all year round."

With this in the works, we thought this would be a good time to celebrate women horror authors! Here's some titles from the library catalog you might not know. Some of them are horror fiction by women, and some are story collections featuring pieces by recommended horror authors. Would you like to recommend any authors or titles?  Let us know in the comments!

Dread in the Beast by Charlee Jacob

Come Closer by Sara Gran

The Mysteries by Lisa Tuttle

Mistification by Kaaron Warren

The Vampire Tapestry by Suzy McKee Charnas [local author]

Blood Colony by Tananarive Due

The Forgotten by Tamara Thorne [eBook]

The Restorer by Amanda Stevens [eBook]

A House Divided by Deborah LeBlanc

We Will All Go Down Together: Stories of the Five-Family Coven by Gemma Files

Blood Oranges by CaitlĂ­n R. Kiernan writing as Kathleen Tierney

Bellweather Rhapsody by Kate Racculia 

White Space by Ilsa J. Blick [YA] 

Don't You Forget About Me by Kate Karyus Quinn [YA] 

Lovecraft's Monsters edited by Ellen Datlow   

Vampires: The Recent Undead edited by Paula Guran

Teeth: Vampire Tales edited by Ellen Datlow and Terri Windling [YA] [eBook]

Searchers After Horror: New Tales of the Weird and Fantastic edited by S.T. Joshi


Links


Horror Roundtable: Sexism in Horror [Horror Writers Association]

Top 25 Women Horror Writers You Probably Haven't Heard Of (But Should Know) [Hellnotes]

Women in Horror Month: Get Involved!

Saturday, February 14, 2015

Pet peeves in young adult fiction


I recently read a post on the Teen Librarian Toolbox blog about pet peeves in young adult fiction, and I felt inspired to talk about my own, especially since I share some of the things mentioned in the post. Here are my (and two of my coworkers') top ten pet peeves in young adult books, in no particular order.

1. The phrase "I let out a breath I didn't know I was holding." I see this phrase all the time now, and the last time I saw it, I thought, "This isn't new and intriguing anymore! It's very quickly become a cliche, so writers should stop using it!" And then I wondered if it's possible to call it plagiarism, since so many authors have used it (for the record, I don't think it is; it's just a cliche, like so many other things). Every time I see it, it makes me cringe.

2. Alternating points of view. I'm actually okay with this depending on how it's used. I recently read I'll Meet You There by Heather Demetrios, which uses alternate perspectives, but the voices of the two characters are distinctly different, and the sections told from the male character are sparse and short, which helps with the flow of the story. I've read other novels that have three or more alternating perspectives, and that's where things get tricky. If there are too many narrators, it becomes hard for me to connect with or care about any of them, and it makes it that much harder to differentiate among the narrators.

3. Books that are all the same. This one needs a little explaining. I've noticed a trend in young adult fiction that when one book takes off, a ton of other books in the same genre will be published, and they may or may not be good. One example, of course, is Twilight: vampires were a huge trend after the Twilight books came out. This isn't limited to paranormal books, or science fiction, or mysteries. It's just a general trend with young adult books. Other trends I've noticed: characters who were in/knew someone in Afghanistan, Iraq, etc., fighting in the war; Jack the Ripper (not even just serial killers, but books specifically about Jack the Ripper); and characters living in poor towns/trailer parks/low income places. I'm not saying these trends are bad as a whole (I've loved some of the books that fall into these trends), but I would love to see more books that don't rely on trends. I understand why this happens, I just wish that it didn't.

4. Series. Okay, I get it. A series is going to make more money than a book that stands alone. But that doesn't mean I have to like them, and while there are many series that I adore, I really just wish this trend would stop. One of my biggest pet peeves is when I read a book and love it, and then find out that it just so happens to be the first book of a series. Sometimes, I just want to read a book that stands on its own!

5. Insufficient recovery time from an injury. This one actually a pet peeve of one of my colleagues. Here's what she said about it: "In books, the character is pain free too quickly, whatever the injury." I'm not sure if I've noticed this myself, but I think it's a good point. Injuries don't go away overnight, so if a character is injured, the book should accurately reflect recovery time for that injury, even if it's just a paper cut.

6. Extreme drug abuse by a parent. This is another one that my colleague brought up, and I think it's another good point. I just read two books where the mom is a single parent and has a substance abuse issue. While I know that this does accurately reflect some realities, it can border on being a cliche. With the two books I read, both narrators lived in trailer parks and were not financially stable. In these cases, writers should be very careful about how they portray the characters, especially if they give a character a substance abuse problem.

7. Giving characters a "problem" for the sake of the plot. This is something that really irks me. I read The Last Forever by Deb Caletti last year, and--spoiler alert--in the book we find out that a character is gay, not because it's who the character is and the character is represented that way throughout the book, but because its only function was to serve the plot. Any time a character is gay, or has a mental illness, or has some other characteristic and it's only for the plot, the author is doing it wrong. Characters should never have certain characteristics just to create conflict and push the plot along.

8. Characters who wear glasses because they're smart. One of my colleagues mentioned this one to me, too. Her point, which is a good one, is that not all intelligent people wear glasses, so for that to be a defining trait for an intelligent character in a young adult novel is not okay. I have to add to this and say that similarly, not all geeky or nerdy people wear glasses, and not all people who wear glasses are geeky or nerdy. These cliches in young adult novels need to stop.

9. Girls who like boys who have no appeal. Both of my colleagues and I agree with this. Frankly, we just don't get it. If there's a boy who isn't appealing (usually because he's not a good person), why do all the female characters love him? I'd also like to argue that the opposite can happen, though I don't think it's talked about nearly as much--boys can like girls who aren't appealing. I don't think I can say much about this except it baffles us.

10. When the romance aspect of a book takes over the novel. I just finished reading Miranda Kenneally's new book, Jesse's Girl, which is scheduled to come out this July, and I was so disappointed by it. I enjoyed the story to an extent, but where I had problems was with the romance. It overwhelmed the book, and became the main focus of the story, when I felt that the real story was about the narrator's journey toward becoming a professional musician. This book could have been amazing, but it went from being about the narrator as a musician to the narrator as the love interest of a super-famous country singer. Not all books need to be about the romance.

That's it for my list. What are your pet peeves in young adult books? Let me know in the comments!

Tuesday, February 10, 2015

Reading for Creative Writers

Reading has always been inextricably tied to writing for me.  I know I'm not the only one out there who feels this way, because I've spoken to plenty of library-going book-lovers who are also writers of some kind.  As we read, we feed off of the creativity an author has put into their work and use it as fuel for our own writing.  We are inspired by character development and complex plot lines, by delicate prose and intense description.  We are readers who love to write, and even if we are not reading explicitly to improve our writing, we read like writers - hungrily, and with an open mind to the possibilities contained in a good book.

Even though I have loved writing since I learned how to do it, I scarcely consider myself a fledgling author.  I have only ever taken one creative writing class, and that was back in college.  To be honest, I have been resistant to begin writing for fun again, and even more resistant to self-educating about it.  I had adopted the attitude that if I were a good writer, I would naturally produce good work with practice; there wasn't much I could learn to help me improve, and the way my writing started out would be the way it would always be.  But I've had to change my mind about that.  I've discovered that, like anything, there are definite steps I can take and methods I can use to better my writing. 

There are so many great works to learn from by example, and fantastic books of instruction we can turn to as well.  The library has a nice variety of the latter, several of which I'm eager to share with you.

Let's begin where the joy of writing first takes root.  Most of us with a penchant for writing have loved it since we knew how to form wobbly letters with tiny hands.  Do you remember the feeling?  For little ones, there are not many books about the exhilaration of writing a story, which is why I adore this twist on Little Red Riding Hood for 5 to 8 year olds.  It is full of super cute illustrative details, and because the story instructs in such a fun-filled way, it hardly feels like it is packed with tips for great story making.

(As a truly exciting side note, I'd like to mention that we've partnered with PBS to bring you a kid's writing contest for children in K through Third grades.  The deadline for entry to the contest is March 31st, so if you know any inspired kiddos, don't wait to get them started!  You can find entries at any of our branches, and we have planned some workshops to help participants along.  Check these and others out and register here.)


For older children (about 8 years and up), there are two books by a favorite childhood author of mine - Gail Carson Levine.  Her most recent on the subject of writing came out in December: Writer to Writer: From Think to Ink.  I know it's a children's book, but I can't wait to read it.  Before Writer to Writer, she wrote Writing Magic: Creating Stories That Fly.  Appropriately, many titles for teens and "tweens" deal  - in a fun and engaging way, of course - with the building blocks of good writing.  Here are a few: 

Grammar Girl by Mignon Fogarty

So, You Want to Be a Writer?: How to Write, Get Published, and Maybe Even Make it Big! by Vicki Hambleton and Cathleen Greenwood

My Weird Writing Tips by Dan Gutman


If you search in our catalog for books about writing, you will find everything under the sun, from grant writing to writers' thoughts on writing, from "the best of," to literacy issues. Here are some that stand out specifically for creative writers:

For the Young at Heart

Writing Books for Kids and Teens by Marion Crook

Writing New Adult Fiction by Deborah Halverson
Check out our recent post New & Novel: Romantic Fiction for New Adults, specifically about NA, a category dedicated to people ages 18-26.

Let That Crazy Child Write by Clive Matson




Specific Types of Creative Writing

On Writing Romance: How to Craft a Novel That Sells by Leigh Michaels.

The Art & Craft of Writing Christian Fiction: The Complete Guide to Finding Your Story, Honing Your Skills, & Glorifying God in Your Novel by Jeff Gerke

Writing Science Fiction and Fantasy by the editors of Analog and Isaac Asimov's science fiction magazine


General Writing Guides

Wired for Story: The Writer's Guide to Using Brain Science to Hook Readers from the Very First Sentence by Lisa Cron

Bird by Bird: Some Instructions on Writing and Life by Anne Lamott
This one I have never forgotten from my creative writing class in college.

Reading Like a Writer: A Guide for People Who Love Books and for Those Who Want to Write Them by Francine Prose

Fast Fiction:  A Guide to Outlining and Writing a First-Draft Novel in Thirty Days by Denise Jaden
Have you heard of NaNoWriMo?  This book would be a great place to start preparing.

The Artist's Way: A Spiritual Path to Higher Creativity by Julia Cameron
I know a published author who loves this book and has adopted some daily practices from it that help keep her writing juices flowing.

The Making of a Story: A Norton Guide to Creative Writing by Alice LaPlante

Writing With Emotion, Tension and Conflict by Cheryl St John 



If you also consider yourself a writer, what do you like to write?  Have you read any great books that have helped you on your way?  Please comment!  

Sunday, February 8, 2015

New & Novel: Romantic Fiction for New Adults

Readers have been looking for contemporary novels about the college years, with more mature themes than are usually found in Young Adult books. New Adult fiction is "written about the experiences of 18- to 25-year-olds as they enter the adult world. These 'new' adults are becoming more independent, taking on more responsibilities, and facing life’s challenges for the first time on their own."* The genre began with self-published books and the books are generally more popular in digital formats. There has been debate whether to classify the books as romance or fiction, and complaints about lack of diversity in New Adult offerings. Regardless, the genre is growing, and the expectation is that nostalgic adults will seek out these books the way adults have embraced Young Adult titles.

What will you get when you pick up a New Adult book? Expect a contemporary setting (food trucks, roommates, musicians, protests, dating sites), a first-person narrative, a fast-paced, steamy tone, and often a witty, sassy writing style.

Best Kind of Broken by Chelsea Fine

Breathe Into Me by Sara Fawkes [eBook]

Second Thoughts by Cara Bertrand [eBook]

Maybe Someday by Colleen Hoover  [eBook]

Virgin by Radhika Sanghani

Falling Into You by Jasinda Wilder [eBook]

Ten Tiny Breaths by K.A. Tucker [eBook]

The Secret of Ella and Micha by Jessica Sorensen [eBook]

Thoughtless by S.C. Stephens

My Favorite Mistake by Chelsea Cameron [eBook]

On Dublin Street by Samantha Young [eBook]

Real by Katy Evans [eBook]

Foreplay by Sophie Jordan

Lick by Kylie Scott

Links      


A World of Firsts/Genre Spotlight: New Adult [Library Journal]*

Friday, February 6, 2015

Using Lexiles

Sometimes the Lexile is on the back of the book.
Lexile measures offer information about a book’s text complexity. A Lexile text measure is based on the semantic and syntactic characteristics of a text. Readers can use Lexile measures to select titles that best match their unique ability level and reading goals. Recognized as the global standard for matching readers with texts, tens of millions of students worldwide receive Lexile measures that help them find targeted readings from the more than 100 million articles, books and websites that have been measured. Lexile measures range from below 200L for early reader text to above 2000L for more advanced text.
~"Publishers Adopt Lexile Reading Metric to Level Children's Content", DBW

You may have seen "levels" on children's books before - Easy Readers in particular often have classifications such as "Level 2, Green Light Readers: Start the engine!  Reading with help (short sentences, creative stories, simple dialogue)".  ABC Library also offers grade level-reading lists.  But now, librarians keep hearing more and more questions about Lexiles.

In the past, many children were encouraged to read at their grade equivalent - "scores based on the performance of students in the test's norming group"*.  Lexiles "represent a student's level on a developmental scale of reading ability... Struggling students are not stigmatized with a grade equivalent that labels them as 'below grade.' Rather, students have an independent Lexile measure and can select appropriately difficult books within their Lexile range."*

MetaMetrics, a North Carolina based company, developed the Lexile Framework. These ratings have been created after 20 years of research funded by the National Institute of Child Health and Human Development, measuring reading ability and text complexity in tandem, rather than just text complexity. It has been adopted by departments of education in nearly half the states and school districts in all 50 states. The Common Core State Standards provide Lexile reading bands for reading comprehension development.

If you don't know your child's Lexile measurement, there are sites that will help you find out what it is! The Lexile Framework for Reading's Find a Book just asks you to submit your child's grade and whether they find the books they are reading for school difficult, easy, or just right. Then you choose a category that represents your child's interests, and you are presented with the Lexile and some recommended books.  On the same site, if you are a registered user, you can use the Lexile Analyzer - type or scan a text to find its Lexile measure.

Sometimes the Lexile is with the copyright information.
Many publishers will provide Lexile measurements, including Scholastic, HarperCollins Publishers, Penguin Young Readers, Random House Children’s Books, Simon & Schuster, Macmillan Publishers, and Chronicle Books.

Links

The Lexile Framework for Reading*

MetaMetrics: The Lexile Framework for Reading 

New Mexico Public Education Department: The Lexile Framework for Reading

NoveList K-8 Plus: Lexiles [an eResource, available free with your valid library card]

Lexile Levels Made Easy [Scholastic]

Barnes & Noble's Lexile Reading Level Wizard

TOEFL Lexile Measures

Tuesday, February 3, 2015

Featured Author: Lindsey Davis

Lindsey Davis is a British historical novelist. She is most famous for her Marcus Didius Falco series, set in First Century Rome, which she started in 1989. Research for an earlier novel about the romance of Emperor Vespasian and his mistress Antonia Caeni piqued her interest in that era. She has been writing about a book a year since she began, and in addition to the Falco series has written a couple of novels set during the English Civil War and her new series featuring Falco's daughter, Flavia Albia. Her website features a list of Civil War Curiosities - "The nursery rhyme ‘Humpty Dumpty’ may refer to a Royalist cannon at the top of a tower at Colchester which was eventually shot down by parliamentary forces" - and her "rants" about piracy, historical errors, book collecting, and more.  Her books are available in several languages and as BBC radio drama productions. Lindsey Davis owns the film rights to all her books, and a film called The Age of Treason was made some years ago ("ostensibly of The Silver Pigs, though who would know?", Davis says on her website). There may be a TV series in the making.

Marcus Didius Falco mystery series  

Marcus Didius Falco is a Roman 'informer', criminal investigator, and reluctant Imperial agent in the age of Emperor Vespasian. There are 20 books in the series, featuring traitors, treason, investigations into intended brides, Druid priestesses, the world of olive oil production, and more. The author says "Each novel is written so it can be read individually, but many people like to read the whole series in order to follow the background plot", so we have started out list below in chronological order.







For a full list of books in the series, visit our NoveList eResource.

Flavia Albia mystery series

Flavia is Falco's adopted daughter, a troubled teen turned plucky widow. The series begins in 89 A.D. - Emperor Vespasian, a jovial figure, has died and his his son Domitian is on the throne, an altogether darker character.

The Ides of April [eAudiobook only in our catalog]

English Civil War 

During the terrible struggle of the English Civil War, two people--Gideon Jukes and Juliana Lovell, who are on opposites sides of the conflict--meet during one of the era's most crucial events, their mutual attraction brings the comfort and companionship for which they both have yearned. But shadows from the past soon threaten their hard-won peace.

Standalones

A tale inspired by the life of first-century Roman emperor Domitian unites reluctant Praetorian Guard Gaius Vinius and imperial court stylist Flavia Lucilla in the wake of a devastating fire and the emperor's descent into mental illness and brutality.

Ancient Rome's most turbulent period is recreated in this story of the Emperor Vespasian and his mistress, Caenis, a freed slave. As their forbidden romance blossoms, she is embroiled in political intrigue, while he embarks on a glorious career.


*book descriptions are courtesy of NoveList


Saturday, January 31, 2015

Writers and Their Readers



A few days ago, I finished reading Veronica Roth's Allegiant, the conclusion to her Divergent trilogy. After I finished it, I wanted to know what other people thought about the ending, since I knew there was controversy surrounding it. I want to talk about the controversy without giving away what happened, so I'll say this: Some people were upset to the point of making death threats. Now, it is possible that the people who said things like, "I've never wanted to do bodily harm to an author before. If I was to see Ms. Roth on the street right this minute, I’d prob punch her in the throat. Really I would" could just be exaggerating. Maybe none of the people who reacted that way or in a similar way actually meant it. Does it make their responses appropriate? I'd have to say no.

It's fine to not like the way Allegiant ended. I hated what Roth did with the characters; I was attached to them and didn't want them to end up where they did. But it's important to note that while I didn't like what happened to the characters, I felt like it was completely true to the story and who the characters were.

What really strikes me with this controversy is the discussion about what responsibility writers have to their readers. In a blog post about Allegiant, Roth said that while writing Allegiant, "I've said before that this ending was always a part of the plan, but one thing I want to make clear is that I didn't choose it to shock anyone, or to upset anyone, or because I’m ruthless with my characters—no, no, no. I may have been ruthless with other characters, in the past, but not with her, never with her. And I wasn't thinking about any readers when I wrote this book; I was thinking about the story, because trying to meet the expectations of so many readers would be paralyzing. There’s no way to please everyone, because that mythical book with the ending that every single person wants can’t exist—you want different things, each one of you. The only thing I can do, in light of that fact, is write an honest story as best I can."

I think that Roth did the right thing in thinking about her story, not her readers, while she was writing Allegiant, because she's right in that you can't create a perfect ending that everyone will be happy with. If she was thinking about her readers, the story could have had a vastly different ending, and I don't think it would been the right one. I disagree with readers who think the ending was unrealistic and/or lazy. I thought the ending was the opposite of lazy; it was very difficult to read, and I imagine that means it was also very difficult to write. More than that, I think it was completely realistic. Tris's and Tobias's actions seemed to be perfectly in line with who they were throughout the series, and if they had acted any differently, then the story would have been unrealistic. Caleb Graves of the blog Bibliofiend said in a post, "There is something that we, as readers, need to remember when we become so attached to books. First off, the author does not owe us anything. It is that author's story, to do with how they see fit - or really, as they see is right for what they are trying to capture with that story. Similarly, readers do not owe authors unlimited devotion. They are free to disagree and even dislike an author's choice."

It's so easy to feel like a book belongs to you after you've read it. I feel that way often, and it's why I sometimes struggle with recommending books to others (my thought process when this happens: that book is mine, and no one else can have it!). I think it's fair to say a novel becomes ours when we read it, and I love what Roth said about it in her blog post about the whole controversy: ""You are allowed—encouraged!— to continue to feel however you want to feel, or think however you want to think, about the ending, no matter what this blog post says. I’m the author, yes, but this book is yours as
well as mine now, and our voices are equal in this conversation."

Roth is right. There isn't always one right way to read a book. Are the people who think Allegiant had a lazy ending that was unrealistic wrong to think that? No. Are the people who think the ending was realistic and satisfying (but devastating) wrong to think that? No. Even when those disagreements happen among readers and authors, there's no right or wrong. Roth can say she ended the book the way she did for certain reasons, and we don't have to agree with what she did. Even though she's the writer, our opinions are not any less valid, and they aren't wrong. That's the beauty of the relationship between writers and readers, but perhaps in some ways, that's the danger of it, too. Being able to disagree is a wonderful thing, but feeling that authors owe us something (or authors feeling that readers owe them something) because we become so attached to their books is not.

Have you read the Divergent series, or kept up with the controversy? If so, tell me your thoughts on it--the books, the controversy, everything!--in the comments below.